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Exhibition Catalogues and Reviews |
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2005
Emporium Adele Boag Gallery, Adelaide The exhibition invitation/catalogue was written by Sera Waters. Catalogue 30 x 21 cm, colour, essay by Sera Waters, produced by Adele Boag Gallery. Download PDF of invitation/catalogue Download PDF of review John Neylon, The Adelaide Review |
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2001
Tracing the Echo, artist books and folios 1978-2001, Flinders
University Art Museum, Adelaide, touring SA in 2002-03, QLD, NSW
20003-2005
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1999
Printed
Matter, Robert Steele Gallery, Adelaide Printed Matter was an exhibition of photopolymer prints, artist books, and a series of prints created using a combination of etched tin plate and photopolymer plate. The etched tin plates, after they had been editioned were used to create new works; the plates were inked and a digital print was inserted where the plate had been etched away in the centre. Catalogue 29.5 x 21, 4 pages, all colour, essay by Pamela Zeplin, Illumination Press, Adelaide, South Australia, 1999. Download PDF of catalogue |
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1998
Sensory Memorandum, Robert Steele Gallery, New York The works taken to New York for Sensory Memorandum included the metal sense monitors and armorial works, as well as the folio of relief photopolymer prints The Golden Rose. Catalogue 29.5 x 21, 4 pages, 2 colour, 2 b/w, essay by Olga Sankey, Illumination Press, Adelaide, South Australia, 1998. Download PDF of catalogue |
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1996
Traversing
the Echo, Flinders University Art Museum, SA Traversing the Echo was an exhibition of computer generated prints, books and folios. It was also the title of an interactive work within the exhibition. The interactive was a working model, destined for future placement on CD-ROM or the Internet. The electronic book was designed to showcase three limited edition printed works; two artist books and a folio (Compass of Change, Night Sea Crossing, and The Golden Rose). Catalogue 21 x 15, 8 concertiana pages, all colour, essay by Dianne Longley, Illumination Press, Adelaide, South Australia, 1996. Download b/w PDF of catalogue |
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1996
Flower
of Destiny, Sir Hermann Black Gallery, Sydney University, NSW The works taken to Sydney for Sensory Memorandum included the metal sense monitors and armorial works, as well as the folio of relief photopolymer prints The Golden Rose and the 16 metre long book Compass of Change. Catalogue 29.5 x 21, 4 pages, all colour, essay by Pamela Zeplin, Sir Hermann Black Gallery, The University of Sydney Union, 1996. Download PDF of catalogue |
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1995
Armorial,
Adelaide Central Gallery, Adelaide, SA 'The works in the exhibition represent a fusion of the artistıs practice. Longley has a national and international profile as a printmaker/book artist. While she originally worked primarily in the etching medium, she has more recently embraced computer technology in her work, not replacing the old technology with the new, but rather moving back and forth between the two. Much of her recent work involves a discussion of this relationship: one between the physicality of traditional techniques - the creation of the etched plate through the corrosive action of acid on metal and the physical process of printing images on a press for example - and the less physical process of creating artworks on the screen.' From the catalogue essay. Catalogue 29.5 x 21, 4 pages, all b/w, essay by Olga Sankey, The Print Studio, Adelaide, South Australia, 1995. Download PDF of catalogue |
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