DIANNE LONGLEY

Photopolymer Prints by Dianne Longley : Other Examples : School Students

	The Empty Kitchen Margaret Ambridge Intaglio photopolymer print 14 x 21 cm 1999 The image was drawn onto autotex film using lithographic pencils. A double exposure was used when making the plate.

	Between the Waves Shaw Hendry Relief photopolymer print 29 x 42 cm 1996 This image was made using Adobe Photoshop. The file was taken to a digital film printing business where a film negative was made, right-reading emulsion up, with a screen ruling of 110 lpi.

	Untitled Jan Green Intaglio photopolymer print 15 x 21 cm 1996 To make this multiple plate print two film positives were made. The first one was a drawing photocopied onto transparency film.The intaglio print taken from the first plate was the basis for the second film positive which was drawn onto double-matt drafting film.

	Love Christine McCormack Relief photopolymer print 30 x 40 cm 1997 The image was drawn onto scraperboard which was then scanned, enhanced, and printed onto film at a digital film printing business. The film requested was A3, film negative, with right-reading emulsion up, with a screen ruling of 110 lines per inch. the plate was printed in relief onto slightly dampened Magnani paper using a thin layer of Van Son rubber-based ink.

	Seeking Sanctuary Seraphina Martin Intaglio photopolymer print 39 x 56 cm 1997 The colour plate for this print was made using Create monoprinting paints and Caran D'ache crayons.

	Seeking Her Olga Sankey Intaglio and relief photopolymer print 14 x 35 cm 1996 A combination of hand drawn and digital films were used to create Torelief WS95 plates.

	Seeking Him Olga Sankey Intaglio and relief photopolymer print 14 x 35 cm 1996 A combination of hand drawn and digital films were used to create Torelief WS95 plates.

	Camille Margaret Ambridge Intaglio photopolymer print 14 x 10 cm 1995 Litho pencils and lithographic tusche were drawn onto sandblasted glass. Torelief WS95 plate was exposed for 3 minutes in a UV exposure unit.

	Untitled Elizabeth Abbott Intaglio photopolymer print 14 x 10 cm 1999 A piece of curtain material and human hair were placed directly on the plate surface and clamped into an exposure frame. The plate printed beautifully both intaglio and as a relief print.

	Shared Territory Jenny Clapson Intaglio photopolymer print 13 x 11 cm 1997 Litho crayons were drawn onto sandbalsted glass to create three plates which were printed in register. Each Torelief WS95 plate was exposed for 3 minutes in a UV exposure unit.

	Kangaroos in the Gully Jenny Clapson Intaglio photopolymer print 36 x 33 cm 1996 Two torelief WS95 plates were made using different types of film. One film used lines drawn onto double-matt drafting film, while the other was painted black and then scratched back into when dry.

	"Yes?" Craigh Marsden Intaglio photopolymer print 16.5 x 13 cm 1999 Kodak premium inkjet transparency film and an Epson Color Stylus 600 were used to print a digital file. Torelief WS95 plate was exposured twice, firstly with the film positive and the secondly with a CristalRaser (random dot) screen.

	Nita at 21 Dianne Longley Intaglio photopolymer print 14 x 10 cm 1999 An old family photograph was copied onto transparency film using the black and white setting on a colour photocopier to produce a film positive.

	Chance Dianne Longley Intaglio photopolymer print 13.5 x 9.5 cm 1999 This image was printed from a Miraclon MS43 polymer plate. The plate was double exposed using a CristalRaster (random dot) screen. A drawing using a technical pen onto double-matt drafting film was used to create a film positive.

	Changes Dianne Longley Intaglio photopolymer print 13.5 x 9.5 cm 1999 This image was printed from a Miraclon MS43 polymer plate. The plate was double exposed using a CristalRaster (random dot) screen. A drawing using a technical pen onto double-matt drafting film was used to create a film positive.